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5 days ago

Danceworks, Inc.
Spring Break is almost here at Danceworks and we want to keep you moving through this break! Signup today for one, two, or three of our Maintenance classes and save! See you there. PRERECORDED Barre Workout Classes2 classes available for the price of 1, Purchase by Monday, March 25, and available through March 27CLASSES:Thursday, 3/28 Barre Workout at 9:15am VIRTUALFriday, 3/29 Barre Workout at 9:15am Friday, 3/29 Classical Ballet Barre at 10:30am VIRTUALSign up at the link in our bio! ... See MoreSee Less
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6 days ago

Danceworks, Inc.
Summer is right around the corner and camps are starting to fill up! Sign up today to secure a spot in one of our popular summer camps for your child!🎨💃🏽🎭Exploration, creativity, and play are needed now more than ever, and Danceworks’ Summer Creative Arts Camps are here to deliver! Our team of professional arts educators have provided high-quality arts programming for over 25 years, and are dedicated to helping students see the world through imagination and creativity. Join us for a fun-filled week of artistry in an environment where imagination thrives and lifelong passions are discovered.Sign up at the link in our bio today✨ ... See MoreSee Less
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7 days ago

Danceworks, Inc.
Announcing Danceworks Performance MKE’s third and final show of the 2023-24 season, "Dixit Dominus and Cantos"! We are so excited to be partnering with vocal early music ensemble, Aperi Animam, and working with guest choreographer, Maria Gillespie on this concert ! Description detailed below⬇️✨“Dixit Dominus and Cantos” runs May 17-19, 2024at Calvary Presbyterian Church935 W. Wisconsin AvenueMilwaukee, WI 53233Joining forces, Danceworks Performance MKE and APERI ANIMAM set out on a rhythmic journey with George Frideric Handel’s passionate rendition of ‘Dixit Dominus.’ Composed by the prodigious 22-year-old Handel in 1707 during his time in Italy, this earlier work presents a flamboyant tapestry of intricate vocal lines woven with a prominent rhythmic gusto. With its dynamic interplay between soloists and choir, ‘Dixit Dominus’ exudes a sense of dramatic fervor that reflects Handel’s profound ability to evoke both grandeur and intimacy while amplifying the sentiments of the war between heaven and hell. In juxtaposition to Handel’s baroque style, this concert features a world premiere “Cantos” by choreographer Maria Gillespie that carefully pairs sophisticated repertoire with her authentically raw movement aesthetic, highlighting secular works in the polyphonic style.Event Link: DPMKE presents: Dixit Dominus and Cantos with Aperi AnimamTickets are linked in our bio🎟✨ ... See MoreSee Less
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Danceworks Blog

“Let Joy Be Unconfined!”

Posted on by 10Web Support

I chose this quote to launch Danceworks’ blog five years ago as we stepped into our 20th Anniversary. I love it so much I’m bringing it back to kick off our 25th Anniversary year! I’m so excited about the year ahead I can hardly sit still! Oh right, that’s just the point–on with the dance!

In honor of those who made it all possible, I’m reblogging one of the first blogs. I hope you enjoy!

IN THE BEGINNING…

FEBRUARY 20, 2013 BY DEB FARRIS

The call came two days after I had submitted a resignation. I was ready for a new challenge but had no idea what it would be. I showed up at a Danceworks board meeting for an interview, and as I recall, was hired that night. I wouldn’t be here if it weren’t for Polly Morris and Mary Newton. None of us would be. Without them, there would be no Danceworks! Read on to discover our delightful history and remember…sometimes new doors don’t open until you close old ones. – Deb

Some thoughts from Mary and Polly… When we got together recently to reminisce about Danceworks, our common thought was that we barely recognize Danceworks these days… but that’s a good thing!

Our original mission of providing performanceoutreach and instruction is clearly alive and well, but the activities and personnel that populate those focus areas have shifted and multiplied exponentially. That’s a logical outgrowth of the agile flexibility that has characterized Danceworks since its inception. When an organization is not tied to the vision of a dominant personality or the expectations of a traditional audience, it is free to explore new partnerships and take advantage of a shifting community landscape. It has been exciting, but not surprising, to see Danceworks thrive in the midst of constant change.

Looking back 20 years to the beginnings of Danceworks, we were both in a similar phase of life, with young kids and bodies that moved a lot easier than they do these days. We were also both on a hiatus from our academic and professional lives, and we had the mental energy to take on the organizational challenge of creating and growing a new non-profit. Fortunately, our skill sets were complementary, and we usually agreed on where we needed to go. As an added bonus, our personalities meshed as easily as if we had grown up together, which may be why we were often mistaken for each other.

More people than we can count seemed to appear just when their skills or talents were needed. Some stayed with us for just a short time, and others—like Amy Brinkman-Sustache—are still with Danceworks. Regardless of their tenure, they were all critical to our success. We really feel that we had the best, be it teachers, performers, accountants, office workers or financial angels. And the students and audiences always showed up, too, as we moved the studio from Milwaukee Street to Bay View and back to Water Street, and performed in diverse venues from the tiny Walker’s Point Center for the Arts to the grand old Pabst Theater.

Along the way, we developed computer skills (starting on an old Apple IIE!) and became experienced at grant writing, both of which have paid long-term dividends. We also developed expertise in the more dubious specialties of bulk mail and VHS tape dubbing, for which we now find little demand. Achieving UPAF membership was a significant milestone, permitting the gradual turnover of the operational and artistic direction of Danceworks to paid staff. It’s been great to watch from the sidelines as Deb Farris, Sarah WilburDani Kuepper and the others have moved Danceworks forward.

We’ve moved on now to other things. Polly first went to UW-Milwaukee as an arts administrator, and now is the Director and Curator of the Lynden Sculpture Garden in River Hills. Mary teaches reading and spelling at the Children’s Dyslexia Center in Milwaukee, and advocates for improved reading instruction statewide through the Wisconsin Reading Coalition. Our seven kids, one of whom wasn’t even born when we started Danceworks, now range in age from 19 to 30. We all continue to treasure our many Danceworks memories and wish Danceworks the very best as you enter the next 20 years!


Here’s to another quarter of a century, and beyond! Cheers to you, friends. Thank you for helping us fulfill our mission, year after year.



About Our Blog

Welcome to the Danceworks blog, where we're hoping to share a little bit more about the heart and soul behind Danceworks… what made us join the dance and keeps us dancing, what keeps us inspired, and where we can share some of the stories worth telling.