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Join us next Thursday, November 30 at UWM Union Cinema for the Milwaukee premiere of Rebels On Pointe, the first-ever, cinéma vérité documentary film celebrating Les Ballets Trockadero de Monte Carlo — the all male, drag ballet company founded over 40 years ago on the heels of New York’s Stonewall riots. Only $5, and all are welcome! ... See MoreSee Less

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Good News! You can have that second helping of Thanksgiving dinner and Yumelia Garcia will help work it off! Join her on Saturday, November 25 from 10:50-11:50 am for Barre Workout and 1:30-3 pm for Int/Adv Ballet! ... See MoreSee Less

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Danceworks, Inc. updated their cover photo. ... See MoreSee Less

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“Let Joy Be Unconfined!”

Posted on by Danceworks

I chose this quote to launch Danceworks’ blog five years ago as we stepped into our 20th Anniversary. I love it so much I’m bringing it back to kick off our 25th Anniversary year! I’m so excited about the year ahead I can hardly sit still! Oh right, that’s just the point–on with the dance!

In honor of those who made it all possible, I’m reblogging one of the first blogs. I hope you enjoy!

IN THE BEGINNING…

FEBRUARY 20, 2013 BY DEB FARRIS

The call came two days after I had submitted a resignation. I was ready for a new challenge but had no idea what it would be. I showed up at a Danceworks board meeting for an interview, and as I recall, was hired that night. I wouldn’t be here if it weren’t for Polly Morris and Mary Newton. None of us would be. Without them, there would be no Danceworks! Read on to discover our delightful history and remember…sometimes new doors don’t open until you close old ones. – Deb

Some thoughts from Mary and Polly… When we got together recently to reminisce about Danceworks, our common thought was that we barely recognize Danceworks these days… but that’s a good thing!

Our original mission of providing performanceoutreach and instruction is clearly alive and well, but the activities and personnel that populate those focus areas have shifted and multiplied exponentially. That’s a logical outgrowth of the agile flexibility that has characterized Danceworks since its inception. When an organization is not tied to the vision of a dominant personality or the expectations of a traditional audience, it is free to explore new partnerships and take advantage of a shifting community landscape. It has been exciting, but not surprising, to see Danceworks thrive in the midst of constant change.

Looking back 20 years to the beginnings of Danceworks, we were both in a similar phase of life, with young kids and bodies that moved a lot easier than they do these days. We were also both on a hiatus from our academic and professional lives, and we had the mental energy to take on the organizational challenge of creating and growing a new non-profit. Fortunately, our skill sets were complementary, and we usually agreed on where we needed to go. As an added bonus, our personalities meshed as easily as if we had grown up together, which may be why we were often mistaken for each other.

More people than we can count seemed to appear just when their skills or talents were needed. Some stayed with us for just a short time, and others—like Amy Brinkman-Sustache—are still with Danceworks. Regardless of their tenure, they were all critical to our success. We really feel that we had the best, be it teachers, performers, accountants, office workers or financial angels. And the students and audiences always showed up, too, as we moved the studio from Milwaukee Street to Bay View and back to Water Street, and performed in diverse venues from the tiny Walker’s Point Center for the Arts to the grand old Pabst Theater.

Along the way, we developed computer skills (starting on an old Apple IIE!) and became experienced at grant writing, both of which have paid long-term dividends. We also developed expertise in the more dubious specialties of bulk mail and VHS tape dubbing, for which we now find little demand. Achieving UPAF membership was a significant milestone, permitting the gradual turnover of the operational and artistic direction of Danceworks to paid staff. It’s been great to watch from the sidelines as Deb Farris, Sarah WilburDani Kuepper and the others have moved Danceworks forward.

We’ve moved on now to other things. Polly first went to UW-Milwaukee as an arts administrator, and now is the Director and Curator of the Lynden Sculpture Garden in River Hills. Mary teaches reading and spelling at the Children’s Dyslexia Center in Milwaukee, and advocates for improved reading instruction statewide through the Wisconsin Reading Coalition. Our seven kids, one of whom wasn’t even born when we started Danceworks, now range in age from 19 to 30. We all continue to treasure our many Danceworks memories and wish Danceworks the very best as you enter the next 20 years!


Here’s to another quarter of a century, and beyond! Cheers to you, friends. Thank you for helping us fulfill our mission, year after year.



DEB FARRIS, EXECUTIVE DIRECTOR

Welcome to my blog, where I'm hoping to share a little bit more about the heart and soul behind Danceworks…what makes me tick, what keeps me inspired, and where I can share some of the stories worth telling.